Showing posts with label historical. Show all posts
Showing posts with label historical. Show all posts

New release: The Rising Place, by David Armstrong


Genre: Historical Romance
Author: David Armstrong
Publisher: The Wild Rose Press

About the Book:

The Rising Place is based on an interesting premise: What if you found a hidden box of letters from World War II that belonged to a reclusive old maid who had just died—would you read them? And what if you did and discovered an enthralling story about unrequited love, betrayal, and murder that happened in a small, southern town over seventy years ago?

When a young lawyer moves down south to Hamilton, Mississippi to begin his practice, one of his first assignments is to draft a will for Emily Hodge. “Miss Emily” is a 75-year-old spinster, shunned by Hamilton society, but the lawyer is intrigued by her and can’t understand why this charming lady lives such a solitary and seemingly forgotten life.

After Emily dies, the lawyer goes to Emily’s hospital room to retrieve her few possessions and bequeath them as she directed, and he discovers a sewing box full of old letters, hidden in the back of one of her nightstand drawers. He takes the letters back to his office and reads them, and he soon learns why Emily Hodge died alone, though definitely not forgotten by those whose lives she touched.

About the Author:

David Armstrong was born and raised in Natchez, Mississippi. He is an attorney, former mayor, and former candidate for the U.S. Congress. Currently, he serves as the Chief Operating Officer for the city of Columbus, Mississippi. David received both an undergraduate and a master’s degree in political science from Mississippi State University, before going on to receive a law degree from the University of Mississippi. 

The Rising Place Place, David’s second novel, was made into a feature film by Flatland Pictures before it was published by The Wild Rose Press. His third novel, The Third Gift, will be released by The Wild Rose Press this summer. He has also written four screenplays.

David is the father of two grown sons, William and Canon, and lives in one of the oldest and most haunted antebellum homes in Columbus with a snarky old cat named Butch.

Find out more: therisingplace.com 

Read an excerpt! 

When Emily Hodge died, I assumed I would be one of the few people at her funeral. She had lived such a solitary life. She didn’t really seem like a loner, but that was before I learned about the murders and Miss Emily’s past.

She had no family that I was ever aware of. Once, though, when I went to see her in the retirement center before she moved to the hospital, she said something about a “Mr. Wilder” who had visited her years earlier when she used to live in her little yellow house. But I wasn’t sure who this Wilder fellow was or where he was from, and I doubted he was still alive. That was a long time ago, like Miss Emily had said.

And that yellow frame house of hers on Monmouth Avenue has gone through several tenants since Miss Emily moved out and went to the Methodist Retirement Center. Most of the asbestos shingles on the front bottom of the house were covered now with kudzu vine and badly cracked, and Miss Emily would have hated they were so noticeable, so I never told her. I realized several years ago that there were some things it was best Miss Emily never know about.

I never understood why Miss Emily didn’t marry and have her own children. She certainly was attractive enough, in her younger days. She showed me an old picture of herself one Sunday afternoon at the General Hospital when I went by her room to visit. She was a “striking woman,” as she herself commented. But it was more than just a striking woman I saw in that faded, seventy-year-old photograph. She was beautiful. Standing on the running board of an old Ford in a long, pink dress with a cream-colored, flapper hat on her head, she reminded me of someone from that old Bonnie and Clyde movie. It was hard to believe the pretty young woman in that photo was her. I probably stared at it too long, and it seemed to make her uneasy that I thought she was so beautiful.

“You were a lovely girl,” I awkwardly told her. When I handed the picture back to Miss Emily, she replaced it in a brown sewing box and slid it into the bottom drawer of the nightstand next to her bed. After she closed the drawer, I somehow knew Miss Emily would never show anyone that photograph of herself, again.

On the day of her funeral, it started raining about eight o’clock that morning. It was to be only a short, graveside service—just like she wanted—with no open casket, and she specifically requested that no flowers be sent. It was the only request of hers I didn’t honor. I couldn’t bear the thought of that precious lady, who had lived and died all alone, being buried without flowers. It just wasn’t right, so I ordered the finest arrangement of yellow roses I could find. I thought the color was appropriate, considering how much she loved her yellow house on Monmouth Avenue, and she always liked roses. As I’ve matured, I’ve learned that sometimes people want things but just don’t know how to ask for them. I do believe Miss Emily would have liked those yellow roses.

It was a simple, Methodist prayer service that lasted only twenty minutes. No one cried during the service. I don’t think Miss Emily would have wanted that. It’s hard to cry for someone you don’t really know. But the old black people there seemed to know her as they passed by her casket after the last prayer. And when Reverend Elton read the quote from Saint Theresa (Miss Emily’s favorite saint), “Let nothing disturb you; let nothing frighten you. Everything passes except God. God alone is sufficient,” all the black people shouted a loud, “Amen!”

But the most intriguing thing of all was that gray-haired stranger who kept staring at the small headstone next to Miss Emily’s grave that read, “Baby Boy, 1942,” and who then stayed after everyone else had left. As we were leaving, I noticed from my car that the old man was crying. He picked a single yellow rose from the arrangement on top of Miss Emily’s bronze casket and then gently placed it on the small grave, in front of the headstone. When my wife and I drove away, I looked back before we left the cemetery. The gentleman was limping away in the rain with his cane.  

Before she died, Miss Emily had already disposed of most of her possessions, but there were two beautiful paintings and an antique rose vase still in her hospital room that she had left to a friend. She had given away all her clothes to a couple of nurses who promised they would take them to the Salvation Army for her, but I doubted that would ever happen. I remember commenting to Miss Emily years ago, when I was still a young lawyer, that a friend had once promised to retain our firm and then sought legal services elsewhere. Emily said, “Don’t put too much stock in other people, David—they’ll just disappoint you.”

As I was about to turn off the light and leave her empty room, I remembered the sewing box of letters in the bottom drawer of the nightstand next to her bed. I also remembered that wonderful old photograph of her leaning against a car on the beach, which she had shown me several years ago. I didn’t know why at the time, but I wanted that picture. I would keep it as a remembrance of this dear lady I had come to love.

I didn’t open the letter box until after I had returned to my office. I don’t know if Miss Emily would have liked my reading her letters, but I think I finally understand her now and why she died alone, though definitely not forgotten. I know I’ll never forget her. How could I?

Excerpt reveal: Claire's Last Secret, by Marty Ambrose




Genre: Historical Fiction
Author: Marty Ambrose
Publisher: Severn House

Find out more on Amazon


About the Book:

1873, Florence. Claire Clairmont, the last survivor of the haunted summer of 1816 Lord Byron/Mary Shelley circle, is living out her final years in genteel poverty.  The appearance of British tourist, William Michael Rossetti, brings Claire hope that she may be able to sell some of her memorabilia to earn enough cash to support her and her niece, Paula.  But Rossetti’s presence in Florence heralds a cycle of events that links the summer of 1816—when Claire conceived an ill-fated child with Lord Byron, when Mary Shelley wrote Frankenstein, and when four tempestuous lives collided—to a tragic death. As Claire begins to unravel the truth, she must go back to that summer of passion to discover the identity of her old enemy.

EXCERPT


Florence, Italy, 1873

                  His letter came just at the point when I thought death was my only option.
                  Poverty had been creeping in like a shadow edging out the light, and it was only a matter of time before it engulfed what was left of my life and snuffed out any prospect that fate would offer another way. I could no longer envision a road that led to some lost, yet cherished land of dreams – especially when I was too old to pick up and start over on some adventure that would lead me into a new dawn.
                  It was too late for that.
                  Those were the youthful regions where fortune bestowed some great, golden happiness on anyone who had the courage to live with soulful purpose – hardly the reality of my present circumstances.
                  Yet, the letter brought a glimmer of hope . . . a wild fancy that I might, even at this late stage, turn things around. What I did not realize was that it would take me back to the early days and expose a labyrinth of deception and lies that had altered the course of my existence.
                  But I digress . . .

                  I must start at the beginning because the echoes of one’s origin never fade to silence, no matter how much it is desired. I did not know my own origin because I never knew my father – not that I needed to learn his identity, but it would have centered my world at the very least with a beginning point. A compass for my life. A moment when I first became aware that I drew breath.
                  Sadly, it never happened.
                  My last name is Clairmont. A melodic sobriquet to be sure, but my mother simply chose the name like someone would choose a ribbon for the bodice of a dress:  – it seemed appealing and created just the right effect of class and respectability – but it was for show, nonetheless, since she never married a man named Clairmont. Not that I particularly minded her choice. I love showiness. In my opinion, modesty in a woman is highly overrated, though no one in my family agreed with me. But I, Clara Mary Jane Clairmont, always went my own way – even without the compass – and I am more proud of that than anything else in my seventy-five years on this earth.
                  Just as I claimed my version of my name: Claire Clairmont.
                  Il mio nome.
                  ‘Aunt Claire, don’t overtax yourself,’ my niece, Paula, said as she strolled into the warm, slightly stuffy room, a cup of my favorite oolong tea in her hand. It was late morning – not terribly hot yet, but by afternoon the midsummer Florentine temperature would soar and everyone would take refuge inside, resting and praying to St Clare of Assisi for a breath of air. My rented apartment faced the Boboli Gardens – a lush, open space on the outskirts of Florence, perched on a hill – that often provided a slight breeze, whispering through the centuries-old cypress trees and hidden grottos.
                  Paula set a delicate blue-and-white patterned china cup on my tea table, already cluttered with letters, books, and an inkwell. ‘You need to move around more, Aunt. Your ankle is starting to swell again, and, if you cannot walk, I will have to call in Raphael to carry you to bed.’ My niece’s voice took on that familiar combination of love and exasperation of the young who are tethered to the old; she cared for me deeply, but I tried her patience as well when I refused to heed her advice, which occurred quite often. I wasn’t ready to give up my independent ways yet.
                  Besides, she would not mind calling our domestico, Raphael; I’d seen the sweet longing in the glances that she cast at him when he was distracted by some task in the kitchen. Paula might be the daughter of my dearly-departed brother, Charles, but she was also my niece, after all. Spinning romantic fantasies around a handsome face was embedded in her nature. Certainly, I had done that a time or two in my life – sometimes finding regret in my impulsive feelings, sometimes not. But always true to my passions.
                  Quickly, I slipped the letter under the stack of books, shifting in my chair and smoothing down my faded blue cotton dress.  I was not ready to share it with her yet.
                  ‘Is that the missive you received this morning?’ she asked absently, leaning down and plumping the delicately embroidered pillow under my sprained ankle, which was propped up on a footstool.
                  ‘Nothing important.’ Assuming an air of nonchalance, I shrugged. ‘Just a letter from one of my many old friends, Edward Trelawny, inquiring as to our well-being.’
                  Paula straightened with a sigh. ‘Do we have any old friends left who have not abandoned us to our state of poverty, except Trelawny?’
                  ‘Thank you, my dear, for pointing that out. I am well aware of our impoverished state of affairs since my last ill-conceived investment in that farm.’ Folding my wrinkled hands in my lap, I echoed her sigh. Investing in my nephew’s farm in Austria was a foolishness that I could ill- afford, but I never could resist helping my family, even though it had pushed me to the brink of bankruptcy.
                  ‘I apologize – that was unkind, Aunt.’ She placed a hand on my forearm, glancing down at me with her dark eyes clouded in guilt.
                  ‘You are forgiven, even though I must remind you that friendships can ebb and flow during the years regardless of one’s financial status – even those who are closest to us can disappoint us.’ Of course, I meant the members of the sacred Byron/Shelley circle of my youth: Byron, the great poet who broke my heart, and Shelley, the husband of my stepsister, Mary, whose brilliance lit my life and whose small annuity protected me in my advanced years. I had loved them all – especially my accomplished and beautiful stepsister, Mary. Even though Mary had created a hideous monster in her novel, Frankenstein, she herself possessed that kind of tranquil loveliness that made everyone gravitate to her.
                  Serenità, as the Italians would say.
                  Unlike me.
                  I could never sit still.
                  I talked incessantly.
                  And I never let my head rule my emotions, which caused me more heartache than I can say. But my life was never dull.


ABOUT THE AUTHOR



Born in St. Louis, Missouri, Marty Ambrose has been a writer most her life, consumed with the world of literature from the time she first read Agatha Christie mysteries and British Romantic poetry.  Marty pursued her undergraduate and graduate degrees in English, both in the U.S. and the U.K. so she could teach students at Florida Southwestern State College about the writers that she so admired.  Three decades later, she is still teaching and has enjoyed a writing career that has spanned almost fifteen years, with eight published novels for Avalon Books, Kensington Books, and Thomas & Mercer. Marty Ambrose lives in Florida with her husband, ex- news anchor Jim McLaughlin.  She plans to travel to Italy in the Fall to research A Shadowed Fate, the next book in the trilogy.

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